Writing Novels for Niche Audiences (Browncoats)

brown_coats_forever_by_winter_artwork-d3cncovIt isn’t a new concept. I’ve been reading posts about it for the last year. These posts usually say things like, “Learn to identify and leverage niche audiences in your novel.” What does that mean?

Well, if you’ve written a novel about an individual who overcomes an alien abduction and goes on to become a champion marathoner before saving the human race when the aliens invade, you would not only market your book to lovers of science fiction, but also to survivors of alien abduction and to people who enjoy running marathons.

Writing a Book for Millions of Readers is Bad

It turns out, writing a book for millions of readers is a bad idea nowadays. Writing a book for the 12,863 individuals who claim to have been abducted by aliens in the last 5 years is a much better one. Now that the modern marvel known as the internet (not the inner netting of men’s swimming trunks) allows writers to market to such specific clumps of people via Facebook, etc., it makes much more sense to narrow the target audience.

Being the proactive individual I am, I asked myself, “Self, if it is good to identify niche audiences within my novel after I’ve written it, wouldn’t it be better to write my novel with specific niche audiences in mind from the beginning?”

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Vin Diesel’s Cunning Revives Riddick

riddick international posterNext to Firefly and it’s spacefaring crew, Riddick has long been the science fiction character I’ve most wanted to see resurrected. That dream has come to pass thanks to a clever play by Vin Diesel himself. The Hollywood Reporter revealed on September 4th that Vin Diesel managed to swap Riddick rights for his cameo appearance in Tokyo Drift back in 2006.

Pitch Black, released in 2000, enthralled me instantly. I absolutely loved the character of Riddick and couldn’t believe there weren’t reams of books or comics or something. This first Riddick movie did well enough for The Chronicles of Riddick to come along in 2004 and queer the deal. The larger budget follow-up only managed $16 million in profit. That would have been enough of a flop to kill the character if Diesel hadn’t acquired it.

Now the actor has staked his pocketbook (and then some) on the third entry into the life and times of Riddick.

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