Diesel vs. Steampunk: Publishing Ethics

Dieselpunk VS. Steampunk by nitr0gene
Dieselpunk VS. Steampunk by nitr0gene

[dropcap2]W[/dropcap2]hen it comes to ethics, the RedneckGranola is driven by a prime directive — “stick it to the man.” Basically, greed and injustice demand civil disobedience. Thus sneaking food into a movie theater that charges two dollars for popcorn is unethical, while a theater that charges six dollars demands that I sneak in food to support the cause of the globally popcorn-oppressed. Simple. (a 200% markup is business, a 1000% markup is oppression).

But when it comes to the self-publishing ethics and marketing ethics of my upcoming novel, where do I draw the line? It has been said that “a duck is a duck is a duck.” But one could also respond, “duck, duck, goose,” so you can see my problem. (Truly mine is a dizzying intellect.) When writing a dieselpunk, weird Western, pulp adventure story there are two main options available for its marketing:

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The Browncoats are Coming! Firefly Returns?

The call for Browncoats from Firefly to unite

When it comes to fan fervor for favorite television show, no one beats the Browncoats (sorry all you Klingons. Qapla!) And recent news indicates that victory for the rebels may be within reach for the first time in almost ten years of struggle. For those of you who have spent too much time on Alliance planets or are just returning from deep space, Browncoats are the independent survivors of the one-season television show, Firefly.

Within the show Browncoats are essentially confederates that lost a cosmic civil war to the Alliance. In first life (or what some people refer to as “reality”) Browncoats are viewers and fans who have remained faithful to the cause of reviving Firefly from its “canned” grave at 20th Century Fox.

Hold on to your laser pistols, but one of the most controversial cancelations in T.V. history could be returning from the grave.

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